Being the first and eldest of the ElderEpis
These were the epis as originally written on CrowePeople
from the summer of 2002 to the end of 2003. In this very
first of the first, Joimus meets her General, Terry's equipment
becomes a plot device (thanks to annsmac), and the characters
are added one by one. These have had to be edited down, and
you will note the difference in them from the classic epis, but
can see their genesis and how they developed over time. In the
very beginning, the characters don't yet have their names as we
were only just meeting them. As this storyline was written
not that long after the Academy Awards ceremony of 2002
during which a certain actress was overly glad that Russell
did NOT win the Oscar, the identity of the, um, victim is,
well, not...unexpected.

by Jo, annsmac, Michele, Janna

(thanks to Jessie for the pink bandaids!!!)


The characters board the Orient Express

...please have your tickets ready
Date:
Tue. 18 Jun 2002

Part 1…Jo

I stood there  dripping wet,  not only from the pouring  rain but  from having swum the Bosporus  earlier in the

afternoon . A cold wind nearly whipped my soggy ticket from my hand. Turning up the high collar of my grey trench

coat, I boarded the last passenger car of the Orient Express just before it pulled out of Istanbul en route to London.

As I put my boot on the step, the wind gusted fiercely, revealing that the large man behind me had a concealed short sword under his rust- colored cape. My razor-sharp brain made a mental note to keep an eye on this person.


Opening several compartment doors, I finally found one occupied by only two other travelers. One had dust all

through his hair in spite of the storm and I could see wide marks on either of his wrists from some former time spent

in manacles. His clothes were torn and disheveled and I wondered what had brought him to the Orient Express this

cold night.


A rusty old gun stuck part-way from an inside pocket of his coat. He seemed very, very tired...so tired he had not

noticed the gun was no longer totally hidden. Across from him, a slim, younger man was hoisting a bag onto the

luggage rack. There was a sound of clinking and then a clear shatter of glass. He looked at me almost sheepishly,

with light brown locks of hair falling across his forehead, and said,  "My dishes.  Just my dishes... that's all."  I

wondered why he would be carrying such breakables in a canvas sack. It didn't seem to fit. I took the seat next to

the tired man with the dusty hair, studying his profile for a moment as he seemed to be dozing. He was quite handsome despite the grime.


Suddenly there was a loud noise outside the compartment...as though someone had been roughly shoved against our door...

Part 2: annsmac

... then the door bumped open. There, at my feet, fell the body of a tall, slender woman with flowing red hair and some

of the biggest teeth I'd ever seen. She had died in mid grin.


I gave a little yelp and felt myself beginning to faint. But before I could do anything substantial, the hands of my dusty companion grabbed me around the waist. I looked down at the curious mixture of his dusty sleeve being intermingled with the drops from my wet trench coat.


Faster than I could follow, his gun was in his other hand and only when he looked into my eyes to see that I was still

alert did he let me go. He was advancing into the passageway. Then he turned to me, saying, "The clock. It clicked."


The younger man swooped in next to the dead body, his nose sniffing her. I watched in amazement as he leapt to his

feet, smacked open his luggage and pulled out two wine glasses. Crushing them, he began feeding the pieces into the dead woman's oozing wounds.


I thought, "What is this, the Twilight Zone? Who are these two people and whose dead body is THAT?"


It was all too much for me. I went ahead and fainted.


When I came to, there was a puzzled set of blue-green eyes framed in long, thick, dark hair peering intently at me.

I sat up, smacking my head against the hockey stick he was holding in his hand. "Ouch."

Part 3…Michele

"Did you hear that, did anyone hear that?," Michele asked. Everyone around her was sound asleep except for the

man sitting across from her. "Yeah, I heard it!" He quickly put his fedora on and grabbed his camera, a pad of paper and a pen. Michele jumped out of her seat the same time he did. They knocked heads and landed back in their seats. Frantically she spoke as she got back up again, "It sounded like a gunshot."

"No," he said beating her to the door, "it was a big thud."

Part 4: Jo
Clonking my forehead on the hockey stick as I sat up had resulted in a small cut above my right eyebrow. The friendly man with wavy dark hair who was holding it, whipped out a small bandage and immediately applied it to my wound. There was concern in his eyes but a suggestion of a smile played about his lips as he softly remarked, "This seems to happen to me quite often." I had no idea what he might mean by that, but his blue-green eyes were so delicious, I

didn't care. Then I glanced at the floor and saw the form of the tall red-headed woman with very large teeth.


 

The younger man I'd seen earlier with the clinking canvas sack was doing something very strange involving broken glass. My mind was whirling! What was happening? Just then a man in a fedora and a woman appeared in the

doorway. Who were THEY?


Where had the beautiful man with the dusty hair and my raindrops on his sleeves gone? My eyes flew back and forth between the man with the long soft hair who was bending over me and the body on the floor. He seemed strangely unconcerned about her. Was that a red smear on his hockey stick? I couldn't be sure.


Next a large, burly man with really short hair and blazing eyes pushed the man in the fedora to the side rather roughly and entered the compartment himself. He stood there, giant in his masculine presence, with one leg on either side of the prostrate form, looking down at the murder victim with glittering eyes. Glancing over at me, he asked, "Are you all

right, Miss?"

The man in the fedora was now back in the doorway. I noted there was a large sausage tucked in the breast pocket

of his grey suit coat. Was that a red smear on the sausage? I heard the sound of heavily-striding footsteps passing in

the corridor and behind the man in the fedora passed quickly the rusty- caped person who had gotten aboard the train right after I did. Was that a red smear on the short sword that was only partially hidden by his large, fur-topped cape? Why was a man in a cape on this train in the first place? What was the fedora- man doing with such a large sausage in his coat pocket? Where had the man with the hockey stick been when the body had thumped against my door? Who was this angry man standing over the body? Was that a badge of some sort I could see a bit of on his coat lining? Was that

a red smear on the badge? The air was suddenly filled with a high-pitched wailing shriek coming down the corridor

from another compartment....

Part 5 : Michele

The women took off running in the direction of the shriek. Michele, knocked down, found herself with a shoe in her

hand. Then strong hands slipped underneath her and lifted her up from the floor, "Are you all right?" As the man with the crew cut bent down to examine her, he noticed the shoe in her hand. There was a red spot on the heel. "Where did you get that shoe, Miss?" he asked, his eyes going suspicious.


She followed his gaze to the red spot on the shoe. In a panic she said, "What shoe?," as she threw the shoe down the hallway.


The shoe flew, hitting a bald-headed man loaded with tattoos right above the eyebrow. Angry he yelled, "What the

f***!!"


 

Part 6: Jo
As the man with the tattooed body and heavy black coat, held the shoe that had just struck him on his forehead, causing a slight cut above the right eyebrow, the man with the red- smeared hockey stick ran past, calling out over his shoulder as he continued in a hurry down the corridor, "That happens to me a lot, too!"

The large man with the crew cut snatched the shoe and examined it carefully, noting the red smear along the length of the high heel. He glared at the bald man with the tattoos and growled, "Is this YOUR shoe?" Instantly, there was a switchblade in the tattooed man's hand accompanied by a wild look in his intense eyes. The man with the crew cut just glared at the blade with contempt, noticing it, too had a red smear down its blade. Turning his back casually on the bladed hand, he strode back to the compartment where the large- toothed, red-haired victim lay still sprawled on the floor, face frozen into that wide grin. Standing over her now was the man from the other compartment. He was wearing plaid pants and a mismatched plaid shirt and kept murmuring to an unseen person he believed to be beside him, "I

TOLD you she was a spy! I told you, but you wouldn't believe me!" This person had written a series of numbers across the victim's forehead in black marker, connecting them with criss-crossed lines. There was a suspicious red smear on

the marker.

A low moan came from the hallway where the man in the fedora was getting back to his feet. "Anyone get the number

of that hockey stick?" he said hoarsely through clenched teeth. The man with the crew cut, turned abruptly and smacked him, opening up a small cut above fedora-man's right eyebrow.

 


"Be quiet!" he snapped. "I'm trying to think!" The younger baldheaded man came up quickly and shoved the crew

cut guy roughly from behind, causing him to bump his head on the luggage rack and opening up a small cut above his right eyebrow. They faced one another, fists clenched, ready to have at it...but just then I stepped between them, putting

a hand on each of their chests. I could feel the heaving muscles in both of them as they raggedly inhaled and exhaled in battle readiness.



Just then a sleek man in a purple suit poked his head in the doorway, surveying the scene with a look of pleasure in his rather disturbing eyes. He smiled, keeping his lips together, then asked, "Anybody seen a young twerp with a bag of glass?" We all turned and looked at him. There was a red smear down the front of his purple suit coat. Crew cut's

eyes narrowed and his nostrils dilated.

Part 7: Jo

Choking and gasping, the women ran blindly down the corridor. (I'm giving up and naming names at this point!!) Pausing, as the sound of on-coming hoof beats assailed their ears, the women hugged the wall as a naked man on a

horse rode past them. He called out, "Which way to the baaaaarrrrrrnnnnnn?" as he rode quickly away. I found this

to be one of the more strange events of the night, not having seen more than a dozen naked men on horseback in all

my train-riding years. I watched him, noting he did not duck in time to miss the overhead light, which, striking him a glancing blow, opened up a small wound above his right eyebrow. Even more interesting, I thought, was the red smear

on his horse's left rear hoof.


 

"Where do you think he is going?" my friend asked.

"Probably East," I surmised. We continued down the hall toward the murder scene, where a sleek man in a purple

suit was leaning into the room. I heard him ask about the young man with the canvas bag of dishes and I recalled my earlier sight of him feeding the crushed glass into the victim's wounds. I glanced down at the sprawling, large- toothed redhead and saw that the wounds seemed to have disappeared, but she remained quite stone-cold dead. I wondered

what had been the actual cause of her demise. Who was she? Why was she so hated? What had she said or done to generate such ire in the heart of another? What could possibly have caused crushed glass to heal her wounds like

that?

 

The purple-suited man, who informed us his name was Sid with some funny number or other after it, just smiled the

most Cheshire cat smile I have ever seen on another person, turned rapidly, and in a series of athletic somersaults, disappeared down the corridor. I started to call out after him, "A horse just went down that way...!" but it was too

late and his left palm had already been firmly planted in a digestive remnant. After removing several doors and a

good part of one wall in his wrath, he continued through the far doorway. "Strange man," I thought to myself. "Very strange."


Turning my attention back to the compartment where the body lay, I licked the last bit of peanut butter ice cream

from my lips, and watched in some amazement as an older, sorta plumpish grey-haired man slid into the room past

me. He had an unsmoked cigarette in his hand and I noted the red smear around its white paper. Crumpling the

cigarette in his palm, he threw it down at the dead woman, shouting, "Take it!" Just then the train gave a huge

lurch ...

Part 8: Jo
.... but kept going. The man we had come to know as Bud, opened the compartment window and stuck his head out.

The wing of an airplane tilted at a crazy angle from the roof of the car, slid sideways and the entire plane tumbled off, rolling over several times and breaking into pieces in the gully alongside the tracks. Bud had just pulled his head in

and turned to speak, when a pair of feet in shiny black shoes were thrust in through the still-open window....followed

by a man in a blue uniform. Straightening his jacket, he saluted the group, readjusted his cap at a jaunty angle, and

said, "G'day mates... I'm Lachlan!" I could not help but smile at him, he was so very adorable standing there in that uniform with that sparkle in his eye. It was only the second time I had seen a man come in through the window after landing a plane on the roof of a moving train. I wondered if I would ever get used to it.

Removing his foot from the dead woman's  chest where he had inadvertently  placed it, he raised his  eyebrows,

remarking, "What HAVE we here!" He studied the sprawling form for a long moment before commenting, "Did she

bite herself to death with those huge teeth?"


 

Bud shoved him aside, causing him to hit his forehead on the doorframe and making a slight cut above his right

eyebrow. "Why'd you do that?" demanded Bud roughly, grabbing the lapels of the plumpish grey-haired gent and pointing at the crumpled cigarette reposing on the dead woman's upper lip. "That's blatant disrespect of the female

dead!"

"Female, HA!" retorted the man, whose name turned out to be Jeffrey. I hoped he would explain that remark, but just then yet another man poked his head in the doorway. I stared at him in some wonder. Never had I seen a man whose sideburns were so massive. And it was not just their width and length, but the tiny red geraniums that were woven through them that grabbed my gaze and would not let it go. I stepped closer to him, the better to see the blossoms and discovered that they were actually there in an attempt to hide the red smear that matted the individual hairs of the left sideburn.

"Who...who...are YOU?" I managed to ask.

"The name's Colin," he replied with what would have been a nice smile had the sideburns not grown completely across his lips. He looked at the body and asked, "So, did she run off with a Japanese lady's husband?" I had no idea what he meant as all the Japanese ladies and their husbands that I knew were nice, friendly folk. Lighting a cigarette, he turned and strolled casually down the hall, disappearing into the third compartment and slamming the door behind himself.

Bud commented, "That guy's trouble!" then turned back to the body where the man named Nash was getting ready to write the number 43 on the tip of her nose. "Hey...YOU...stop that!" Bud shouted, knocking the pen out of Nash's hand, causing it to bounce up to the ceiling and drop down on Nash's forehead where it made a small cut above his right eyebrow. Suddenly Bud lurched backwards as though some invisible hand had punched him in the jaw. Nash smiled

and said, "Thanks, Roomie."

 


part 9: Michele and Janna

As I walked to my cabin down the corridor I noticed mud tracks on the floor. They looked like they would fit about a

size 12 shoe. Whoever owned those tracks had big feet. I decided to follow the tracks to see where they would take me. That's when I heard it "Naaayyyyy!!!" It sounded like a horse. I HAD seen a horse running in this direction earlier on. But who did it belong to and why was it on the train? Just then, a tall handsome man in dusty black stepped out

"Howdy ma’am, are you looking for something?" I was absolutely stunned by his looks. Then I saw a red streak on

the man's whip.

part 10 (the Maximus scene...you KNEW I would!!) : Jo

The crime scene was getting to be too much for me to handle…not to mention quite crowded with people both seen

and unseen. The final straw had come after Bud had been punched by that invisible hand. Instantly he was on his feet, fists swinging through the air. I could have sworn I saw a small red streak appear...as though some invisible person

had just had a small cut above his right eyebrow.

The train was climbing over mountains now and I held the handrails as I made my way down the corridor. One of the shades in the door windows was half-way up and I peeked in to see if the compartment were vacant, thinking I might

get at least SOME rest this night. It was quite dark in the compartment and I couldn't see a thing. I decided to try it, opened the door, and plopped wearily onto the seat. Leaning my head back, I gazed out the window for a long while

at the passing trees, their needles glowing in the soft moonlight.

Closing my eyes, I must have dozed for at least an hour. The train jerked slightly, awakening me. A startled gasp escaped my lips. In the shadowed corner of the facing seat, was the silent figure of a large man. The moonlight was

just now illuminating part of that section of the compartment. Had he been there all along? Had he been watching me

as I slept? I suddenly felt very vulnerable. Remaining quiet and with lids half lowered, I studied him carefully. The moonlight on the curve of his cheek highlighted a face of remarkable beauty. I could make out the shape of a neatly-trimmed short beard and the shadows of long lashes lay upon his cheekbones. Around his neck and shoulders was a

wide circling of some sort of long fur. Again I gasped, but more softly, as I realized this was the man who had boarded the train just after me...the one in the rust-colored cape and with the red smear on his short sword. My heart began

to beat quickly.  I had not  really seen his face before.  I felt this strange mixture of vulnerability and slight fear

tempered by an oddly magnetic attraction.

As the train rounded a slight curve,  the  moonlight moved across his  face, revealing more of his fine features.  I

became aware he was studying me in turn. There was just the slightest upturn to the corners of his mouth. My own

lips could in no way stop their upturn in response. I noted he had a slight cut above his right eyebrow and wondered

how he had gotten it. I thought that quite unusual, never ever, ever, ever having seen a man with a cut above his right eyebrow before. He shifted his body slightly to the right and the moonlight gleamed for a brief second on the metal of

his short sword. Again, there was the dark suggestion of the red smear down its blade.


 

My whole body tensed. Was I alone in a darkened compartment with the man who had killed the redhead with the

huge teeth and the crumpled cigarette on her upper lip and the strange numbers written in marker on her forehead

and the airman's footprint on her stomach and the wounds healed by having crushed glass fed into them? WAS I?

I started to rise slowly to my feet, but his deep-soft voice said, "I wouldn't do that." Settling back onto my seat, I

studied his face once more. In spite of what he had said, there was still a twinkle in his eyes and that suggestion of a

smile playing about his lips.

Gathering all the courage I could muster, I whispered hoarsely, "W...why....not?"

His smile grew into a full grin as he leaned forward across the space between the facing seats and let his lips rest ever

so lightly on mine. Moving his lips up my cheek to my ear, he said in the lowest possible voice, "Because .......

Part 11: Jo

Just then the door to our compartment splintered and broke in half under the weight of something heavily thrust

against it from the corridor. The rusty-caped man turned and in one smooth, well-practiced motion had his short

sword in a defensive position between me and the remains of the door. Looking past him I could see a portion of a

badly damaged convertible protruding partially into our compartment. Beyond him was a sweaty man in a white

shirt, looking somewhat apologetic.

"Sorry 'bout that!" he called out. "I've been having one hell of a time gettin' this thing the length of the train. Would

you know if there's a gas station in the caboose, by any chance?" As I stared at the red smear on the front left fender,

the man wiped his forehead with a handkerchief and stated, "Name's Zack. Fellow back there with giant sideburns

said he was having very much the same  problem I am."  Just then a loosely-hanging splinter  dislodged  from the doorframe, striking Zack on the forehead and making a small cut above his right eyebrow.


The rusty-caped man (I had not yet learned his name, but had the strongest intention of doing so) gave the convertible

a mighty shove with one boot, and it scraped its way out of our doorway and careened toward the end of the railcar.

I marveled at how such a wide car could do that in such a narrow corridor. Perhaps it worked in the same manner as

the plane landing on the roof and the horse galloping in the hallways? I did not know. At that moment I did not really care. The sweaty man had run off after the car, filling the air with curses about some ditzy blonde getting him into this

fix in the first place.

This left me alone once again with my rusty-caped stranger... tall...dark....and very, very handsome. "We can no longer remain here," he said in a half-whisper. "Come with me," and, taking my slim, white hand in his own giant one, helped me step over the ruins of the door.

"Who ARE you?" I asked as we entered the corridor together.

Half lowering his lids and obviously remembering something painful, he replied, "My name is Gladiator." I had heard

a lot of men's names starting with a "G" like George or Gerald, but never Gladiator. Oh, well. I decided it suited him somehow, though I was not quite sure just why that might be. I began to lift my hand toward that quite unique cut

above his right  eyebrow,  but he grabbed my wrist in a strong grip, discerning my intent,  and did not  permit the

movement to continue.

"This man has a story," I thought to myself. I determined then and there that I would discover what it was. But not

yet. Not yet. We continued in silence down the corridor, picking our way carefully over the trail of tail pipes,

mufflers, tire tread, and equine digestive remains, and coming once again to the crime scene. "Oh, no!" I thought.

"NOT the crime scene!!" Gladiator could fill an entire compartment with just his own powerful presence, HOW

would he ever fit into that already crowded room?

As I looked in the door, I was please to note that the invisible guy was no longer there. He had taken up SO much

room! Nash, too, had departed, as had the young, jaunty airman. Bud and Jeffrey were still standing next to the

oddly sprawled body of the red-haired woman. For the first time I noticed she had a backpack which had slipped to

one side as she had crashed unceremoniously to the compartment floor. Kneeling next to it and being watched by 3

sets of masculine eyes, I lifted the unbuckled flap and pulled out its single content. It was the lower half of the golden statue of a man holding a long sword in front of his legs. There was a red smear across its base. What COULD it

have been a statue of when it had been whole? Why in the world would such a person as this victim EVER had such

an item in her possession in the first place? It could not have possibly belonged to HER....could it?

Bud reached down and took the half-statue from my hands, examining it closely. "Hmmmmm?" he mused. "I may

have seen something like this once before. I think it was mass produced for some reason on the west coast of the

United States. Can't remember exactly why, though." And with that, he tossed it toward the seat just past the body. Gladiator caught it midair with a lightning motion of his right hand. It was so smooth and quick a movement it

reminded me of a gun- slinging preacher I had once known. A sudden memory hit me like a sledgehammer! The

dusty-haired man I sat next to when I first boarded! It had to be him! It just had to! Why had I not recognized him?!!

He even bore a striking resemblance to Gladiator himself. Where had he gone? I looked back at Bud as he frowned

at Gladiator. He, too, resembled Cort. My brain reeled. I needed air! Quickly! I darted out of the compartment and

down the hallway toward the caboose, tripping slightly over a rear bumper and stepping in 3 different mounds of... well...you know...in my mad dash to get to a place where I could breathe....and think.

I darted through the caboose, barely noticing that it was full of black, hornless cattle accompanied by a man in an elbowless blue checked flannel shirt, playing a guitar and singing to them. In my haste, I bumped into his guitar,

causing it to flip upwards and making a small cut above his right eyebrow.


 

Holding onto the rear railing, I gulped in great gasping breaths of the cold night air. I could feel my entire body trembling, but then a large hand was placed gently on my left shoulder. Turning, I saw it was the blue-flannel man.

Was my singing that bad?" he asked in a deep-soft voice that sounded strangely familiar.

 

Where had I heard that voice before? I shook my head in an effort to clear my thoughts. "C...cows..." I managed

to murmur. "W...why the cows?"

Leaning his guitar against the rail (as he did so, I noticed the red smear across one edge) he explained. "These were

the ones culled for market. I just couldn't let 'em go. Just couldn't. So the practical thing to do to protect 'em was to

put 'em on the train from Istanbul to London."

I had to admit his logic was flawless. Just then the whole train sort of bucked, flipping me over the end rail where

my boots were bouncing raggedly along over the ties and gravel. "Hold on!" he shouted, grabbing my wrists....
 

Part 12: Jo

As my boot toes bounced along the tracks, the strong hands of the cowsaver had my wrists in such a grip that I knew

in my heart he would not let me perish and become a mere red smear across a railway tie in some high, cold mountain pass on this moonlit night. I had seen enough red smears this night. I had no intention of becoming one myself! Besides,

if I could only think of it, there was some pressing reason I had to be in London. I'd think about that tomorrow.

Inch by inch he dragged me back over the railing till he fell backwards through the open door of the caboose with me atop him. We lay like that for what seemed a long moment until I grew tired of the cow slobber dripping into my hair

and rolled to the side. Assisting me to my feet, he plucked several pieces of straw from my collar, then, leaning one

bare elbow on a cow's back, grinned at me. "Not the best way to get off a train," he cracked. I noticed the index finger of his other hand kept tracing around the outer edge of the bovine's ear. She had her neck partway curved around his

hip and was looking at him with a look of unadulterated adulation in her large brown eyes. I could not help but think were he doing that to my ear, I would probably have that same look in my eyes. He, too, reminded me of Cort. The synapses in my cerebral cortex began to fire rapidly as I tried to piece this puzzle together.

"Thank you for saving my life, " I said, "but I have to get back to my car. You see, a red-haired woman with the

lower half of a golden statue in her backpack was murdered a while a...." I stopped when a dark scowl crossed his handsome face. What did HE know about it? Why would such a cattle-lovin' man scowl at the thought of a large-

toothed red-haired woman with a golden statue? I could imagine no possible reason. "Er...I have...I have to go now,"

I said softly as I wove my way gingerly through the milling mass of bovinity. He was so lost in thought that he failed

to notice my departure. Closing the caboose door behind me, I crossed back into the last passenger car.

part 13: Jo

Once again entering the last passenger car, I paused a moment, wondering where Zack had put the convertible.

The caboose had been filled with cattle. The convertible had somehow disappeared between the couplings of the

two cars. Strange. Oh, well. I'd think about that tomorrow.

A young man in a sweaty old Aussie uniform started to step into the corridor from the first compartment. He had a

set of dirty dog tags dangling from his left hand. I noted a red smear on one of the dog tags just as he did a rapid

about face and shut the door quickly. I knew I had not seen this particular person before, but, yet, he still looked

familiar somehow.

A dog barked. A dog? What was a dog doing on the train? I followed the sound to the 4th compartment. The door was slightly ajar, so I cautiously peeked inside. There WAS a dog in there! A man was crouching nearby, but had his back

to me so I could not see his face. He was wearing a stockman's hat, tipped low in the front, and was engaged in the act

of putting
another log on the small campfire he had built in the center of the compartment. Hoping that he had taken the

ventilation problem into consideration, I watched in some fascination as he set up a coffeepot to heat. As he reached

for yet another small log, I clearly saw a red smear on its wood, shining in the reflected glow of the campfire. I

gasped slightly, but it was enough to make the man turn sharply, smacking himself in the forehead with the log

and creating a small wound above his right eyebrow. As he got to his feet and reached for the door, I slammed it

hard and took off down the hall, ducking into compartment 6 and closing the door quickly but softly behind me.


 

This compartment was unlit, and I stood in the darkness a moment until my heartbeats slowed somewhat. The moon

was behind a cloud so not even its light illumined the pitch blackness. The fingers of my right hand reached out, attempting to locate one of the seats. They encountered instead soft, long, fur. Ah, it was my Gladiator again! The beginnings of my smile, however, froze on my face as I discovered lips beneath the fur. Colin! In the darkness I had

not been able to tell the difference between the wide fur shoulder piece of Gladiator's cape and Colin's sideburns.

They were of equal size, so no wonder I had made the mistake. "Pardon me!" I breathed quickly, stepping out into

the corridor again.


There was no sign of the Man or his dog. As I listened, the distant sound of mooing came to my ears and I surmised

they had thought I'd gone the opposite direction and the dog was attempting to herd the cattle in the caboose. I decided

to return to the crime scene. Arriving at the open doorway, I gasped in shock. Jeffrey and Bud had been stowed in the luggage racks and the body of the red-haired woman was gone! So was her backpack and the lower half of the golden statue. Quickly releasing the two men, I asked them what had happened? Where was the body? WHO had taken it.....

and WHY?????

part 14 :annsmac

And once again, darkness descended on the train. What the heck was it with this train's electrical system, I

wondered. And then I realized, I was wandering. Not even knowing where I was going, not even caring.

And then it happened.

The moment had arrived. I was lost. Wandering in darkness, hoping to avoid unpleasant material on the floor, surrounded by men with near- identical looks, right down to the near- identical cuts above their eyes. Except

Gladiator. He was unique in that respect.


As I inched down the wall of the train, the movement captivated me. In another time, another place, it would have

lulled my senses. My fingers caressed the wall and finally felt the unmistakable indentation that meant I had reached

a compartment. Did I dare? Could I find the strength within myself? What was I searching for? My life had been one long series of dull adventures, swimming in mysteries without end. What I needed in my life was a man who could

rescue me from this weary life of excess.

 

"Rescue me," I breathed into the fetid air. Suddenly, the door to the compartment slid open, so silent and so smooth

I would never have known if my fingers had not been pressed lightly against it.

"I'll rescue you, luv," I heard a voice at my ear say. Warm breath upon my neck and then strong hands gliding

around my waist. He pulled me into the compartment. For some unknown reason, I wasn't frightened.

 

"Do you know what's been happening here tonight?" I asked my rescuer.

 

He laughed gently. "Why, yes, I do. You've been kidnapped and I've come to rescue you."

Oh, no, I thought. Surely there was one sane person on this train? "No, you idiot. I haven't been kidnapped," I said,

the words coming from me in haste and sounding harsh even to my ears. "There's been a murder. A strange creature with red hair and horrid rabbit teeth. I think she was stabbed. And now her body's disappeared."

 

"Hmm. That sounds like…" he stopped suddenly as the lights went on.

 

"You know her? The victim?" I asked, turning in his arms to look at him. He was completely covered in black, tan

and green camouflage paint. He had a snug black muscle shirt on and camo pants that fit him much tighter than I'd

ever seen any fit a man before. And that was probably the only reason I saw the outline…

 

there…

 

in his pants…

it was unmistakably…

a knife. One of those big things all the commandos carry.

 

He saw me staring at it and he pulled it out. I gasped. There was red on the knife blade.

 

I looked up into his eyes and he looked stunned. "You don't think I…"

 

"I don't know what to think. But it does seem a tad suspicious. I mean you have blood on your knife, the woman was stabbed and you obviously knew her," I said, the accusation in my voice very plain.

 

He smacked himself in the head, exclaiming, "I'm the good guy. I only kill bad people."

 

 

 

As his hand came down, I noticed he'd cut himself above his left eyebrow with the knife when he'd smacked his

hand there. Clumsy, I thought, knowing there was no way someone that clumsy could have killed that woman and

then gotten smoothly away. Still. He had an air of danger about him.

"Of course, she was pretty bad," the commando said suddenly. I looked at him and realized he was talking about

the victim. I raised an eyebrow in question. "I mean, honestly, she was. She was a… now, don't think badly of me

that I would say something this awful about the dead, but she was… an over- actor. There. I've said it. She killed

every scene she's ever been in. Her and those big teeth. She just couldn't stop laughing and she had this big old vein

thing in her forehead that she'd pop out whenever she forgot her lines and wanted to seem dramatic. The world of

fine cinema would never be safe with her around."

 

"Then it was you?" I asked, my voice barely a whisper.

 

"No. I was in the bar with a friend. And Bud was there with me. I have an alibi." He looked very indignant. "We're

the heroes. We never hurt women. We protect them. If you're looking for likely suspects, at least keep with the character."


"Character!" I exclaimed. "Of course. That's it. That's how we'll solve the crime."


It was so simple. Why hadn't I seen it before? Because… well, let's face it, quite a bit of very weird things had

happened to me since I'd stepped aboard.


Suddenly, the train gave a mighty lurch. I found myself pitched out into the passageway and straight into the arms of….

Part 15: Jo

...a man who was bunny-hopping down the passage. He was wearing glasses and seemed quite distracted as he

mumbled over and over, "Why doesn't she CALL?" As we collided, his glasses, whose left lens bore a red smear,

were pushed sharply upwards, causing a small cut above his right eyebrow. He blinked at me, a puzzled expression

on his face, and repeated once more, "Why doesn't she call? Should I call her? Should I?" Figuring I would get

little information from him, I regained my balance and continued. Just then, another compartment door slid open...



Part 16: Jo

The lights were on, thank goodness, and standing in their glow was a slim young man in a pale blue cardigan. Brown hair draped across half his forehead, but I could see a look of fear in his eyes. "Who are you and what's the matter?"

I asked with some concern.

"A...A...Arthur," he stammered, "and HE'S what's the matter!" Looking past Arthur I saw the shaved-headed man

with tattoos. He had the back of Arthur's shirt collar in a tight grip. Ah, I thought. So THAT'S why Arthur's top shirt button was pressed against his Adam's apple. I was relieved it was not some fashion statement.

"And who are YOU?" I asked the man behind him. The man's eyes glowed at me intensely. I had not seen such a

look of intensity since the last time I had faced a bull in the arena sands of Juarez.

"What's it to you?" he snarled menacingly.

"It is nothing to me!" I snapped back, annoyed. Letting go of Arthur's collar, he pushed him away carelessly, like a

child getting rid of a toy that now bored him. Arthur stumbled, hitting his forehead on the armrest of one of the seats and opening up a small cut above his right eyebrow. He sat down on the seat, holding his head in both hands.


 

"YOU!" the shaved man fairly spat in my face. Gingerly touching the cut above his right eyebrow, he growled, "It

was YOUR shoe did this to me!" I smiled, thinking how that shoe had come sailing through the air earlier tonight.

My smile was too much for him! He grabbed me roughly and started to shake me. Just then Gladiator pulled me free

and knocked the shaved man down with a fierce blow from the hilt of his red-smeared short sword. Swooping me into

his marvelously strong arms, he walked rapidly down the corridor, kicking open the door of an empty compartment

and sitting on the seat there with me still cradled in his arms. My cheek was resting against his wide furry drape as I

felt his warm breath on my face. His mouth was just inches from mine as he whispered, "Thank the gods I was in time....THIS time!" I had no idea what he meant, but he seemed very, very serious about what he was saying. At that moment I didn't even care if he were the one who had done in the large-toothed redhead with the lower half of a

golden statue in her backpack. All I could think of was touching his moustache with my fingertips. That very slight

smile of his played around the corners of his mouth as he permitted my fingertips to trace the outlines of his moustache, then stop for one brief second on the softness of his lower lip. As I let my hand fall back into my lap, the inches between our lips disappeared......

Part 17: Jo

Later, while he held both my hands tenderly between his large ones, I asked him a serious question. "Gladiator, a

woman was murdered on this train earlier tonight and I saw you pass by in the corridor just after she was shoved, sprawling and with her large teeth still frozen into a grin, to the floor of my compartment. Can you explain to me

what you were doing there at such an inauspicious moment in time?"

Looking at me with eyes that were filled with long years of soul-mangling torture, he told me his story. I knew beyond

all doubt that it was the truth. Those eyes held no capacity for cowardly prevarications. "My dear, at the time of the murder I was quite dead myself, having been thrust through my kidney with a wavy stiletto. It was only later that I regained my senses, discovering I was now in a small compartment with several dozen women of all ages. Each of

them had a laptop and had all brought me back to life again through some mysterious thing they called 'fanfic'. My

trusty rusty cape and short sword were missing, however. One of the women, I think she was Italian, said that a

man's arm had reached into the compartment and snatched them while I was still dead. Later, I found the sword wrapped inside my cape. They had been stuffed behind a water cooler. My sword was now smeared with red, but I

have no idea how it got there or who could have been using my sword while I was busily engaged in being dead. If

you need proof, I can take you to the compartment where those women are bringing other men bearing a strange resemblance to me back to life." I told him that if I needed Proof, I would have spoken with Andy. His word was

more than enough for me.

Just then the commando and his equipment rolled out from under the opposite seat. He held up a newspaper with a

photo of Gladiator surrounded by women and their laptops, busily typing and typing and typing as breath once again entered his lungs.

Grinning, he said, "Andy may be the one to go to for Proof, but I, yes, I am the one to go to for Proof of LIFE!!!"

So, now it was established once and for all that my Gladiator had not been the perpetrator of this crime.  The

commando, who introduced himself as Terry, said, "Oh, and by the way, one of the women accidentally cracked you

on the forehead with her laptop in her enthusiasm to bring you back to life." I was glad to know at last where the

cut above Gladiator's right eyebrow had come from. Being dead at the time it had happened, he, of course, had no

idea of its origins himself... which had made him somewhat sensitive about the whole thing. Terry started out the compartment door, but a powerful punch to his midriff sent him reeling back inside.

part 18: annsmac

And… the man with no hair surged into the compartment. His eyes lit on me where I remained perched solidly in Gladiator's lap. So there I was, safe with two men I now knew beyond a shadow of a doubt had nothing to do with

the murder of the rabbit tooth woman. Yet… before me stood an element of such raw danger that I was beginning

to wonder if there would ever be safety as long as this man was around.

"Your shoe," he grunted at me, his hand out, offering the offending article to me.

 

I recoiled. Nicely done, that, as it drove me more firmly into Gladiator's strong embrace. Sometimes I surprise

myself with how smart I can be.

 

"Don't make me use this on you, mate," I heard Terry growl out to the hairless man. Looking up, I gasped as

Terry whipped out his… equipment.

 

What was it with this man and his equipment? I mean, it was certainly impressive, but must he shove it at us at every chance?

 

"What we do in life echoes in eternity," Gladiator said. Then glanced down into my eyes, a puzzled look on his face.

"Is that how it goes?"

 

I shrugged. "Is your name really Gladiator? That is the question."

 

"No, the question is what did I ever see in scrawny, saggy, messy blondes who don't even have the sense to run when a bomb goes off?" Terry sighed.

"Actually, I think the question is if mankind has grown strong in eternal struggles, will it only perish through eternal peace?" the bald-domed man said, his voice almost laughing at us.

 

"Oh, no, you don't, you hairless wonder," I said, nasty tone to my voice. "Don't you dare go paraphrasing Hitler."

 

He snarled at me but in a second, Gladiator had gently placed me upon the seat and then risen, putting his arm solidly

in the hairless one's throat and slamming him against the door. "The German horde. They are my sworn enemies,"

he said.

 

"The question then, men, is where was this man? We know the two of you, Bud, Cort and Andy are innocent. We

need to find out about the others," I said, drawing three sets of male eyes my way. Oh, goodness. What that did to

me. Three sets of blue-green eyes, each hooded in mystery, set in faces so alike and yet so different. I thought I might melt.

 

"Bud is a police detective," Terry said. "I propose we find him and assist him in investigating the death of the over-actor."

 

"Over-actor?" Gladiator and dome head said together.

 

"Yes. In fact, Gladiator, she spoiled your triumphant re- ascension to the throne. Do you not know her?" Terry

asked. Then he looked at all of us. "What about Nash? He had the most to lose?"

 

"What about Rusty?" dome head asked.

 

I sighed. "This is ridiculous. There are too many suspects. By the way, you, guy-with-no-hair? What's your name?"

 

"Hando," he growled. "And I was with Zack the whole time until someone came in and told us there'd been a murder.

So I have an alibi."

 

We all nodded together. So, we were all innocent. Well, I grant you, innocent may be a stretch for the four of us. But

at least we weren't killers of rabbit toothed women. That was something, wasn't it?

 

The four of us set off down the passageway, searching for Bud and determined to stay together until we found him. I,

of course, knew I'd be with Gladiator for one of his arms was snuggly around my waist. I also knew I'd be with commando Terry for one of my hands was snuggly around his… equipment.

 

We let Hando take the rear of our little party, knowing his abilities to fend off strange attacks would protect us.

Suddenly, a compartment door opened and the purple-suited man came flying out. He smashed with a sickening

clang against the wall. Before Gladiator could cover my eyes with his free hand, I watched, dazed and confused, as

blue goo seeped from his head and his eyes seemed to glitter.

 

"Bud, we need to talk," I heard the commando say.


Part 19: annsmac

And then, there he was. The man who would save us. Unless a woman came to our rescue first.

 

Nevertheless.

 

He did look good. Standing there, his eyes hurting from internal angst, white short-sleeved shirt and black tie that

had been out of fashion even in the 50s. What was it about his majesty, his cruelty that mixed itself together into the person who would be our savior?

 

"Knock it off," he said, and as I looked up, I realized he was looking at me. I peeked around the circle of men with

me. They were all looking at me, most with true desperation in their eyes.

 

"Ya said that out loud, luv," Terry said, his cheeks turning a bit red at my embarrassment. "But I'm sure Bud appreciates the vote of confidence."

 

Glancing at Bud. Hmm. He didn't look like he was appreciative.

 

"I like the part about being a savior, but did you have to give me the old smack down on the clothes? Couldn't you

have kept that hush- hush, on the q.t. and very, very confidential?" Bud asked me.

 

I heard someone sniggering behind me and turned to face Hando. His eyes were shut but he was crying. Then he

grabbed his gut and bent double, smacking one hand out to beat on the wall as he was overcome with laughter.

Okay, I could put up with a lot but a bald, tattooed punk laughing at me like that? I laid him low with a well placed… snide comment.

 

"Hey, you, hairless boy. Hitler lost," I sneered at him.

 

In a snap, he straightened and an intense dark fire burned from his eyes as he stared at me. "Girlie…" he began, his

lips almost curled.

 

Gladiator stepped between us. He looked at Hando. "Son, I believe the lady has a point."

 

With that touch of diplomacy, my Gladiator had us all back focused on the task at hand. Terry filled Bud in on our conclusion and told him of every alibi we knew. So far, those safely protected by alibis included myself, Bud, Terry, Gladiator, Hando, Zack, Andy and Rusty.

 

"Rusty?" we all asked Bud.

 

"Yeah, Rusty," he replied, getting this strange look on his face. "One of the cows gave him an alibi. Strangest thing

you ever saw. Never saw a talking cow before. But, there ya go. He's clean."

 

Suddenly, behind us, the purple-suited man started sputtering. I glanced his way and took in his smooth, chiseled and

slightly cold good looks. He smoothed out his suit, gave this strange little giggle. "Where's Andy?" he chortled to us.

 

"You all think you're so smart. I have seven million murderers inside me. What do you think of that?"

 

"That it must be crowded in there," I replied with a gasp.

 

"That you're the prime suspect in the murder of rabbit tooth over- actor woman," Bud said, giving me a strange look

as he pushed past me to grab the purple lapels. "Out with it, Sid. Where were you when she was killed?"

"You don't scare me, flat foot," he said. With that, Bud smashed Sid's face into the side of the passageway.

 

We all went, "Oh, how disgusting," as we heard the sound that made. A vicious cut appeared above Sid's right

eyebrow but seconds later, it disappeared.

 

"Oh, for God's sake," Terry said in disgust. He stepped toward Sid, whipped out his… equipment… and also

whipped out a tube of camouflage paint, wiping a dark green smear above Sid's right eyebrow. "There. Now you've

got a mark."

 

Sid went berserk. There's no other way to describe it. One minute he was standing almost placidly as Bud man-

handled him and Terry painted him, and the next minute he bounced his way down the passageway, bellowing out

about the clash between the green paint and his purple suit.

 

"Go find a green suit, ya weirdo," Hando yelled to his bouncing back.

 

Bud turned to us. "Okay. Here's the way this is gonna go down. One of you go and find the Mysterious sheriff.

Someone else go and find the FBI guy. Any other cops on board?" We all shook our heads and shrugged. "Okay.

Bring `em here and we'll get this show on the road."

 

"Show? Did someone say show?" We turned and there was Rusty, rushing toward us with his guitar and such a

sweet smile. "Time for some music?"

 

Suddenly, a scream ripped neatly through the air and…


Part 20: Jo

.... all eyes turned toward the doorway. Two Jeff's and 2 John's had come face to face in the corridor. (The 3rd

John doesn't seem to have made the train, alas...must be because he has a thing about railway crossings.) "Who screamed?" Bud snarled.

"I did," a voice replied from thin air. We all looked in the direction of the bodiless voice. "Did you hear that?"

Terry asked. No one was to be seen in the area of the voice.

Nash smiled. "Roomie," he enthused, "they heard you!!" Again the disembodied voice spoke. "Yes, John. My voice

is the first thing to become real. Very soon I will be a solid sea-faring doctor/cellist and everyone will be able to see me...not just you."

"Sure," Bud grumped, "when cows talk!"

Rusty cupped his hand quickly over the mouth of the bovine standing beside him. "Shhhh, darlin'," he whispered

into her ear. "Later."

"Enough!" shouted Gladiator. "I will find the mysterious dusty sheriff with raindrops on his sleeve, a partially

hidden gun, and a red-smeared whip. You!" he jabbed a finger into Terry's chest," go find that FBI guy with the

sweaty white shirt and the convertible that had a red-smeared fender and who disappeared between this car and

the caboose."

"My," said Jeffrey softly to Jeff, "that guy is used to issuing orders, isn't he!" I smiled to myself, thinking, yes

indeedy, my Gladiator was about to unleash hell...not to mention recapping the various characters on the train.

He was so...so...well rounded. That thought brought Terry's equipment to mind, too, and I placed one hand on the

wall to steady myself. However, instead of a wall, my palm came to rest on Hando's smooth skull. He wiggled his

tongue at me and I thought, "Where is a safety pin when you need one?"

Should I follow Gladiator to look for Cort or follow Terry to look for Zack? Gladiator made the decision for me as

he took my hand firmly in his and said, "Come with me." Just 3 simple words. "Come with me." I would have

followed him across the hyena and lion-infested sands of northern Africa. I would have gone with him over the

mountains between France and Spain which takes you, of course, into Tuscany. I would have walked with him t

hrough the bone-encrusted forests of Germania during an English winter. I would....."Just COME," he said, more

firmly now. And so we went.... together we went...side by side, hand in hand we went.....sigh.

Terry rounded up Lachlan atop the green hill in compartment 5 where he was waxing poetically eloquent. Terry

figured any guy who could land a plane on the roof of a moving train might be able to help him figure out where a convertible could have gone to in the space of a coupling. As Lachlan lay the large volume of poetry aside, Terry

noticed a red smear on its spine. It made him wonder. If you couldn't trust this bloke with a farmer's wife, could y

ou trust him with an over-actor? Probably not. Maybe he had bludgeoned her with his book of poems in the coal

car, taken off in his plane, only to land at the end of the train in an effort to make us all believe he was just arriving?

It WAS possible!

They proceeded, wary of each other, down the corridor toward the caboose. Large scrapes marred either side of

the door frame. Opening the door and stepping out onto the coupling, Terry noted the rear view mirror of the

convertible had become lodged in the coupling itself. "Go down and check that out," he ordered Lachlan.

"You check it out!" the airman retorted. "You're the one who has the equipment!" Though privately he didn't see

what all the fuss was about. Lachlan knew he had exactly the sameequipment , but he wasn't about to say so at

this juncture.

Terry swiftly swung himself down under the coupling with the sure, smooth motion of a man who has had long years

of coupling experience. Wow! thought Lachlan. We may have the same equipment, but he has obviously had more coupling experience than I have! But, then, Terry was several years older and so Lachlan knew he had time to grow

in that area.

The train lurched violently and without warning as most train lurches tend to be on cold nights in the mountains of northern Macedonia. Experienced though he was, Terry's grip was torn loose and he went bouncing along under

the caboose with the rear view mirror clutched in his left hand. Managing to catch the bottom step of the caboose in

his teeth, he flipped himself nimbly over the railing and entered the cow-infested confines of the caboose. Unseen,

lurking in the darkest corner beyond the blackest cow, waited....

Part 21: annsmac

…a white cow.

Terry had never seen a white cow before. He made his way slowly, patting the cows gently, until he stood before the white cow.

 

"Holy cow!" he muttered.

 

"No. Not holy. But might purty, eh?" It was Zack. He had been standing in another corner of the caboose near a

brown cow. "Did you know Rusty's named all these cows? That white one he calls Harry Carey. Any idea why?"

 

Terry sighed in relief. "Been looking all over for ya, mate. You and that car gave us quite a start. Look here, Bud

needs you back in the train. He wants all you law enforcement types to help him solve the murder."

 

"Murder?" Zack's eyes narrowed. "There's no way back from the edge on murder, is there? But, the question is, is

it really murder?"

 

Terry rolled his eyes. "Enough with the questions. There's too many questions. We need answers, lawman." Shoving

him ahead of him, Terry propelled Zack from the caboose.

They made it back to the compartment to meet with Bud and Sheriff John Biebe. The only law enforcement man left missing was… the dusty rain-speckled Cort.

 

Gladiator was hot on his trail. And I was hot on Gladiator's tail. Er. Um. I mean, I was hot on Gladiator's trail.

Yeah. That's right. Freudian slip there.

 

Or maybe not.

 

Who knows?

 

He opened a compartment after we entered the car just past the dining car. I waited outside as he checked it out. I

heard chains jingling inside and assumed he'd found Cort. So I followed him inside the compartment. The light was

dim, yet I was still able to make out his form, standing against the wall, stripped down to only the lightest of coverings.

 

"Did I hear Cort jangling his chains in here?" I asked Gladiator.

 

"No, my love. You heard a slave straining against his bounds of metal links," he said, his voice deep and masculine.

 

I blinked. He stood there, chained at the wrists, bound to metal brackets placed in the wall. "Gladiator! Who did this

 to you? How shall I get you free?" My heart was pounding and I kept looking around for the dastardly evil one

who'd chained my sweet Gladiator.

"T'was I, fair lady," Gladiator said, his voice much lower and much more suggestive. I blushed. "Indulge me in a fantasy? The creator never allows us to have these little amorous scenes in the movies. He frustrates us in a method

most cruel. Will you make my celluloid dreams become solid and real?"

 

Oh, my. Oh, my, yes. Oh, my, yes, indeedy. Oh, my, yes, indeedy, heaven's above, can I please? Oh, my, ….

"Sometime this century?" he groaned.

 

I fairly leapt across the distance separating us. My lips were on his, I felt the heat of his body so close… so close…

 

And, of course, that's when Cort decided to drag his ever-loving body inside the compartment. And then Terry stuck

his head in the door, big sloppy grin on his face. I rolled my eyes and sagged against Gladiator. So close. Would we

never be joined? But not just then, obviously. For Terry had come with news. All the law enforcement men were

now gathering. The investigation was underway.

 

But where, oh where, was the body of the rabbit tooth over- actor woman?

 

In the most unlikeliest turn of events, what happened next was so shocking, so disgusting, so horrific, it could only

be described as "something straight out of the tabloids."

 

Well, when we got to the compartment where Bud had gathered the cops, we found out that…

 

Part 22: annsmac

…we were due in to Paris any day.

 

"Ah, gay Paree," laughed Jeff, getting this twinkle in his eye. Hando's switchblade gleamed in reflected light as it

nicked poor, sweet Jeff above the right eyebrow. As Jeff howled in outrage, Gladiator shoved Hando against the

wall.

 

"What we do in this train echoes across Crowedom," he said in that deep, utterly commanding voice of his. "Don't

make me get the women on you, Hando. Their PCs do not stick in the frost."

 

Terry and I looked at each other, both mouthing, "What?" and then shrugging. With Gladiator making little sense

at that moment, I began to edge closer to Terry's equipment.

 

Bud cleared his throat and we all looked at him. Actually, this was tougher than you could imagine. For inside that

teeny train compartment it was incredibly crowded, what with me, Bud, Terry, Gladiator, Hando, Jeff, John,

Johnny, Jeffrey, Rusty, the cow, Zack, Lachlan, and Cort.


To actually look at Bud, we had to coordinate ourselves in the way we would all turn to look at him. Pressed up tight

in this mass of men's bodies, I felt something poke me. I turned my head over my shoulders to see who was being so

rude.

 

Terry blushed when he saw me looking. "Sorry, luv. You know me and my… equipment. Can't help it if it gets in the

way sometimes."

 

Lachlan leaned close to my ear, saying, "He's got some impressive coupling skills."

 

Really, I thought, turning back to look at Terry again and giving him a little grin. Hmm? I just might have to give

Terry another bit of consideration, I said to myself.

 

"My love, you said that out loud again," Gladiator said, giving me a sad shake of the head.

 

I blushed and mouthed `I'm sorry, Gladiator' to him, but out of the corner of my eye, I caught Terry grinning at me

and looking quite proud. He was a cheeky one, that's for sure.

 

"If you're finished?" Bud said, glaring at me. I nodded. "Okay. Here's how we'll do it. All you non-law enforcement types, go wait for us in the  dining car.  It's ridiculous that on  this big train, we all  keep meeting in these tiny compartments. Terry and Gladiator, I'm deputizing you to keep everyone inside the dining car until we're done. Zack

and John will look for the body. Cort and I will start rounding up everyone else on the train and after we grill `em for their alibis, we'll bring `em to the dining car."

 

Coordinating our nodding so we didn't knock each other out, we all agreed this was a good plan. Soon we were filing

out of the train compartment and moving into the hall. Unfortunately, no one seemed to know which way the dining

car was.

 

Suddenly, a flash went off. I pushed my way to the front and there before me stood the one person I would have bet

every single thing I ever owned was the culprit.

 

Surely there could be no person more evil, more sub-human, more dastardly, more sneaky, more vicious, more

jealous, more vindictive, more unethical, more nasty, more deadly…

 

"Sometime this century," Gladiator whispered to me.

 

… more likely to be responsible for the horrible events on the train. Yes, that's right. There before us stood…

 

Part 23 : Jo

the red-haired woman herself. I felt my knees buckling in overwhelming amazement and would have slipped all the

way to the floor had not my belt gotten hooked over Terry's equipment. Standing behind her, his right hand resting possessively on her shoulder, was that Sid some number or other person...was it 66.6...was it 6.66...was it ....?

"You can stop the apocalyptic thinking, kid." snorted Bud. "It's 6.7." Yeah! That was it! 6.7. Anyway, the guy in

the purple suit had such a strange gleam in his eyes, such a twisted, self-satisfied grin on his face, that I knew i

nstantly that HE had been the chief cause of all the mysterious goings-on we had been experiencing. A really gross

blue goo was dripping from his fingertips over the redhead's shoulder, creeping ever downward like some yukky

blue lava flow toward her cleavage...or what there was of it. She tipped her chin toward it and licked at it with her

long tongue.

"UGH!" all the rest of us exclaimed in unison. Raising her head once again, she looked at us, fox-like, and grinned

from ear to ear....literally from ear to ear...her giant teeth sparkling with drops of thick blue gunk.

Sid began speaking in that evilly, intelligent, superior way of his. "You Cretans think that I am the murderer. I can

see it written on your simpleminded faces. You amuse me, you fools, with your ineffectual attempts at deductive reasoning." With that, he sneered and leered at the same time. "Listen, copper," he said, inclining his head slightly toward a fuming Bud, "you don't need to round the rest of the passengers up. I've already got all the others secured

in the dining car." He looked absolutely superiorly down his nose at Bud. "Come!" he commanded, more than invited, "come and hear their alibis. Come and see what each person on this train has to say for himself," he paused and

stuck out his tongue at me, "or herself, as the case may be." And, with that, he turned on his heel and he and the

redhead walked before us to the dining car.

We took our seats with those already there. I gazed around the crowded car to see who was gathered, and was glad

to see that Rusty was making at least some of his herd leave and head back to the caboose. Seated at one table were Bud, Cort, Biebe, and Zack. Badge City, I thought. The next table held Hando, Arthur, Andy, and Colin. Interesting

mix. Hando was attempting to pluck some of the small red geraniums from Colin's sideburns as he whispered insulting remarks about hairy lips. Arthur and Andy just watched quietly, though I did hear a soft tinkle of broken glass from Andy's canvas bag as he shifted slightly further away from Hando. Andy's chair bumped Biebe's hockey stick, where

it had been resting against the side of that table. It tipped quickly and smacked Andy above his right eye, making a

small cut.

Biebe grinned, "Sorry about that, kid. Don't know why that happens so often" Reaching up my fingers and feeling

my own cut, still tender from the same hockey stick, I wondered that myself. At the next table sat the Man I had seen with the campfire, his dog sitting nearby, pressed against his master's boot. Beside him was the young Aussie soldier. Across the table were Lachlan and East, next to Rusty. Across the aisle from Bud's table sat Nash, marking numbers

and lines all over the tablecloth and tearing out sections from the menu and napkins, while repeating, "Ah, HA!" over and over. The chair beside him looked empty, but as it was tilted back and rocking slightly, I presumed Nash's friend must be occupying it. A faint sound of cello music seemed to be coming from that direction and I could've sworn I saw

the vague outlines of a pair of old fashioned English seaman's boots.

Across from those two sat Jeff and Jeffrey, who was frowning at the smoldering butt in the ashtray. The remaining

table held Alex, Steve, Terry, and Gladiator. Gladiator and Terry both patted their laps as an invitation for me to

come and sit. I thought about Terry's, but decided the large lump made by his equipment might prove uncomfortable

over the next few hours...or days...heaven only knew how long this was gonna take...and so I chose Gladiator and

settled myself, leaning back against the furry-topped cape. The hilt of his sword poked my thigh somewhat. Just then

he whispered in my ear, "Boy, am I glad to see YOU!" It was only then I noticed his sword was lying on the table and

not in its sheath at all.

"Ooooooh!" I couldn't help but smile. Some day we would not be interrupted. Some day. When the winter was over. Some day. In the hush of the spring. Ah, but that was another story..er...song. At the front of the car stood Sid, his

hand still on the tall red-haired woman with the blue gooey teeth. Why did he never remove his hand from her

shoulder? Why was there goo dripping out of his fingertips? Why did she find it so...er...tasty? Why above all whys

was she not sprawled in an appropriately dead fashion on the floor? How was it that she was alive? How would I

EVER remember who was seated at which table and with whom? Why did all these people look so darn similar?

Was it the cut above the right eyebrow that just made them seem alike? Were they more alike than that? Who was

that masked man? Ooops! No masked man in this story. Sorry. Why was Sid so smug about the alibis? Would they

have blue cheese dressing for the salad?

Sid pointed at Cort. "You, dusty person! Where were YOU when this lovely, talented lady was foully murdered?"

Cort pushed back his chair, running both hands through his perfectly cut, though dust-coated hair. I could still see

part of his old rusty gun under his tattered coat and the whip with its red smear was coiled by his dusty boots. He

inclined his dusty head toward me and said, "This lady will vouch for my innocence. She was in the midst of

admiring my beautiful sleeping profile when the murder was committed." My heart lurched, or was that just the

train again, as I thought even beyond that...back to more....more...redeeming times with him in years gone by. Why

had I not recognized him at first glance? Had we spent too much time in the dark back then?

Cort sat back down as Sid pointed at...


(And?
 

Jo, who would never Ever make something so complicated as to have 22 characters seated at tables and two more standing at one end, not to mention various and sundry cows, horses, and one dog.)


Part 24: Michele


Then Sid pointed to John -"Biebe, where were you when the big toothed woman was murdered?"

John snapped his head back to get the hair off of his face "I was with my hockey team........we were playing the

New York Rangers. I scored a goal and I got an assist...."

Sid cut him off abruptly "DID I ask you for your life story?!?"

John's lips went tight and his nostrils were flaring "Listen up Squid... Sid I'm trying to tell my story here and he went

on with his alibi. "Like I was sayin...I was with my team mates playing hockey when the woman was murdered"
*twitch*.

I was the only one who noticed John's twitch and I knew why John was twitching - he always twitched when he was telling a lie. I knew John was lying so I had to say something "John was with me...we boarded the train 3 days before

the toothy woman arrived. We spent all three days in our cabin and we never left, not even for food."

A big smile came over my face as John winked and nodded at me.

Part 25: annsmac

 

And… then the lights went out.

 

Yes, it was the night the lights went out in Georgia, I thought.

 

"Hush, my love," Gladiator whispered in my ears. "We are not even on that continent yet."

"Shut UP!" A voice rang out and then the lights came back on. It was the Holy Cow, Harry Carey himself. "Now that

I have your attention," Harry the Holy Cow said, "Why don't we get down to the real business at hand."

 

I looked over at the cow and saw Sid and the over-actor woman whispering nearby. The cow turned to fix Sid with

a baleful glare. Sid and the over-actor woman took seats at an open table.

 

"Now, down to the alibi business. My herd and I have checked out your alibis. We were listening in from atop the

train, until someone…" Harry the white Holy Cow looked with pointed eyes at the brown cow, "got a bit over anxious and fell in the ceiling."

 

"Who did it?" Bud asked. "Just the facts."

 

"Who did it? That's what you want to know?" Harry asked us.

 

We all nodded. Even Gladiator. Which felt good against me. If you know what I mean. Someday, someway, we

were going to be together. Somehow, someplace, it would happen. Someone, somewhere was going to help us. Something, sometime it was going to be great.

 

"Sometime this century," Gladiator whispered hoarsely to me.

 

And I thought, "Sometime this week, if I have anything to do with it."

 

"Here's the thing about this crime," Harry the cow said. "She was dead. She had knife wounds, she had a whip

wound, she was shot, she was bludgeoned. In fact, she had so many wounds on her, I doubt we'd ever know which

one killed her. Some of the wounds were done by left- handed people, some by right-handed people. Some were

delivered with great strength, some with barely any strength. When I saw the body, I was astounded by the variety

of ways she was abused."

 

"But she lives," Arthur said, his meek voice floating innocently above us.

 

"Does she?" Harry looked at Sid.

 

Sid giggled. "I fixed her. I gave her some of my blue goo blood and she has come back to life as my eviljulia6.7."

Hando jumped up on the table and stomped his big heavy black boots down hard to get our attention. "So she's dead

and back as a robot. Who gives a rat's ar**? Who the **** killed the ****?

 

"You did," Harry said, pointing an accusing hoof at Hando. We all gasped and Hando jumped down off the table,

landing in the middle of the dining car, looking like he was ready to make good his threat on the Holy Cow. "And

you did. And you. And you…"

 

I watched in disbelief as Harry began pointing, one by one, at each man on the train. Even my Gladiator and Terry.

He pointed twice at Terry, giving Terry's… equipment its own point. That's how much we'd all grown impressed

with Terry's… equipment.

 

It was too much for me. Harry the cow seemed udderly confused. How could every man be the killer? Then again,

wasn't it just a bit preposterous that we were all sitting there listening to a talking Holy Cow tell us anything? Why

did we trust in him?

My mind began to reel from the thoughts chasing through it. This was simply too strange. As my mind wandered, I

took just a moment to study the people in the car with me. I didn't care too much about the cows. Or the dog. Just

the people.

 

I had a past. Yes, I did. I had a past that included each of these men. And that past bound me to these men in a way

that some might find surprising. It was the PCs. That was our link. It was through the PCs that…

 

No. I'm giving too much away.

 

Just then, as if she knew she was destroying my sweet interlude of memories, the over-actor woman jumped up from

her seat. "I'll tell you who killed me," eviljulia6.7 said. "And I'll tell you how."

 

A universal groan ripped loudly through the dining car.

 

"Can't anyone ever shut her up?" Rusty asked.

 

"I love my life," eviljulia6.7 chortled.


Part 26: Jo

The train was pulling into the Paris station when suddenly everything went dark. The dining car began to rock

violently from side to side then lifted 40 feet straight up into the air. You think THAT'S strange....just wait! A pair

of giant eyeballs peered into the windows as a loud voice rolled like a tidal wave over the car. "Sheesh!" it said.

"There are way, WAY too many characters in this dining car. NO ONE will EVER be able to keep 'em all straight."

A humongous thumb and forefinger reached in through the doorway, grabbing the Man, the Aussie soldier, Jeffrey, Arthur, Lachlan, Nash, the "roomie", Jeff, East, and Steve one by one. "You guys go back into the box for right

now." Then the dining car was set back on the tracks, rocked back and forth a couple of times to make sure it was correctly railed, given a little pat on its roof, and shoved out the far side of the station. All the remaining characters

were piled in rather of a heap at one end.

I actually didn't mind as I found myself between Terry and his equipment and Gladiator and his sword hilt. After

general moaning and groaning someone, I think it was Colin, shouted, "Hey, I wanted to get off in Paris!"

Bud smacked him hard across the lips, saying "Don't talk that way in front of the lady!" He meant me, of course,

not the red-headed, blue-toothed female. Sid and the woman had a harder time regaining their feet as his hand

seemed mysteriously attached to her shoulder. Every once in a while a loud crackling followed by a series of buzzes

came from that location. As I gazed at her in some fascination, I found myself strangely reminded of the Borg Queen. Just then a fly flew by, having escaped from Andy's soup, lit on her left ear and was instantly fried into tiny flakes of

fly ash. I thought to myself... something strange is going on...I do believe.....yup.

Alex began alternately munching on the brim of his grey fedora and shouting, "I can't TAKE it any more! I did it!

I stuffed my sausage (now, guys, read nice!!!....this is a REAL sausage, remember.... REAL) up her left nostril and scrambled her brains. That's why there is a red smear on my sausage!" He reached for his pocket to show us, but

just then the dog, who had not been taken off with his Man, burped and the last bit of sausage disappeared down

his gullet.

"No!" shouted Biebe, "I did it with my hockey stick in the parlor with Miss Scarlett!"

Bud glared at him. "Do you think I am totally Clue-less, you puck-basher?"

Gladiator looked at me longingly, "Do you think we could find the holodeck car? I miss the boat." Oh, no, my dear,

I thought...not you...YOU could never miss the boat!! It was then I cracked. Yes, me! Cracked like an egg. All I

wanted was to be in some holodeck somewhere with my Gladiator. I jumped atop the nearest table, cracking Cort's

whip (like we had done in the dark in the good ole days), firing Bud's pistol at the ceiling, and throwing Terry's equipment into the far door, where it stuck, quivering. Eviljulia 6.7 reached out one hand to feel its vibration. I

snapped the whip sharply, saying, "Don't you dare touch THAT! That belongs to ME! They ALL belong to me! "

and I threw back my head and laughed. Regaining my ladylike composure, I revealed all.

Well, not like THAT!!! I told my STORY!!! Sheesh! The afternoon before I had boarded the train, I had been

boating blithely on the Bosporus as is my habit when alone in Istanbul. A stray rowboat bumped against my

outrigger and I found the body of the redhead draped over one side. She had on this backpack with the golden

statue inside. It was broken in half and about it lingered the familiar odor of cow manure. I knew instantly what

had happened, " I said, looking at Rusty as meaningfully as I could.

I thought he would dissolve into an abject admission of his guilt on the spot, but he just walked quietly down the

center aisle of the dining car, stopped in front of me and said, "If you really want to project 'meaningful' you'll have

to lower this eyebrow a bit more like this and get your eyelid in this position and do this with your upper lip.....

and...."

"Stop it, Rusty!" I shouted. "I know you did it! I've been trying to protect you! That's why I folded her up, put her i

nto my briefcase, and boarded the Orient Express that rainy evening. I was going to drop her out as we passed

Venice and no one would ever connect you to her murder. But my briefcase was stolen before I ever got to my compartment."

Rusty interrupted me, "...and it's gotta come outta your SOUL...you gotta BELIEVE 'meaningful'....like this...."

and he proceeded to give me the most meaningful look I had ever, ever seen.

"WOW!" exclaimed everyone in the dining car.

"Gee, I wish I could do THAT!" exclaimed the redheaded, buzzing one.

As one, the entire gathering turned and laughed, "YOU?"

"Well," she continued, "I got THIS, don't I!"

"Looks like a half of whatever it's supposed to be to me," put in Terry.

"Yes," I fairly shouted. "And it is also half of the murder weapon!"

The red-haired one snurfed a loud snurf, "Murder weapon, my left eyeball!"

Sid continued, as though speaking to a group of simple- minded children, "Yesterday in Istanbul this fair lady agreed

to be my mate as it involved no commitment on either of our parts. I have been gradually replacing all her innards with wires and circuits and all such superior building materials."

Part 27: annsmac

"Stop!" I shouted again. "Who cares about you, Sid? This is about ME. ME. ME."

 

"I thought this was about me," Rusty said, looking at me with that adorable little boy pout he got sometimes. "After

all, it's being posted on a board dedicated to me."

 

I looked at the people gathered before me. I was perched uneasily on a table as the train swayed on its run along

the tracks. Queasy at what I was about to do. Knowing my sole ambition in life was to get Gladiator somewhere, someplace, somehow, sometime, someway.

 

Well, it was my sole ambition at that time.

 

I'd had other sole ambitions in my life. Other soul mates. And they all revolved around my best mate.

 

"Oh, Rusty, you know you'll always be like chocolate to me. I'll never unwrap your mysteries. All of this, every single

bit, was designed to protect your mysteries." I sighed, good and long.

 

"What – exactly – was it you were hoping to express there?" Rusty asked, his face frozen in concentration. "Was

that supposed to be anger? Or lust? Or concern? Or were you just hungry? What'd you spend all the money I sent

you for acting lessons on?"

 

A single tear fell from my eye. I turned to Gladiator. Knowing he was always the hero I'd waited for. All those

years, typing away on my PC. Bringing the characters to life. Giving them time, women and as much… well, as much

of anything I could.

 

He stepped to the plate and hit a home run. "I did it," my Gladiator said gallantly. "With my sword. Ran her clean through...and through."

 

Terry, never one to be outdone, stepped forward. "NO. It was me and my… equipment that delivered the deadliest, biggest, meanest, nastiest wound. After all, I've got the biggest… equipment on this train. I did it."

 

Colin: "Hey, no, fellas, wait now, stop it," as Bud and John shoved him forward. Shaking his head and then saying, "Okay. It was me. And my sideburns. And I haven't the first clue as to how they proved so deadly, but no one ever

liked them anyway so they may as well be the murder weapon."

 

Alex: "Hey, didn't I already confess? Remember? My sausage?"

 

Hando: "Argh. Crikey, ya big babies. It was me. My switchblade."

 

Zack: "Wait just a friggin' minute. If anyone's gonna take the blame, it's gonna be me. I did it with my car. The

fender cracked her a good one. Right on that thing I think is supposed to be her head."

 

Cort: "The clock clicked and I shot her. Through the place where there should be a heart. It was justice well

delivered."

 

Bud: "Hush hush. All of you. The little lady needs a man to rescue her. That's me, all right? I'm the one who comes

to the aid of the ladies like now. I did it. I killed her. And I used my badge to...."

 

Andy: "Um. Er. I have other proof. I was acting on Sid's orders. He hypnotized me and made me do it. I smashed

my cutlery on her head. But only because Sid made me."

 

Sid: "You wimp. You had no idea that what you were really doing was helping me turn her into a glass-based

organism. I had it planned from the beginning. But then, I am the mastermind of the outfit, aren't I?"

 

Eviljulia6.7: "It was Rollo Tamassee."

 

All: "What? Rollo Tamassee?"

 

Okay. This had gone on quite far enough.

 

I: "I confess. It was me. You know the saying we all learned when we were kids about how words could never hurt

 us? Well, our parents lied to us. Because I killed her using words. And that's the real truth."

 

But as I sobbed out my confession, I felt a hand on my ankle. I looked down into Rusty's expressive eyes, his v

ulnerable face and his… - I was going to say equipment, but we all know Terry's got the lock on equipment – his

nice chest.

 

"Come on down, I," he said to me. "I think we owe it to the readers to tell them what really happened. Don't you?"

And with that, Rusty turned stage right and began his tale…


Part 28: Jo

...and Rusty began his tale.


As you know, I suffered somewhat of a...disappointment last March. It is because of that that 'I' here," and he

continued helping me down off the dining car table, "thinks that I am the one who murdered this...", turning, he

 looked long and hard at eviljulia 6.7, "this.....lady. In addition, there was that unmistakable odor of cow manure lingering suggestively about the lower half of the golden statue." He looked at me meaningfully again as I nodded

in agreement and every one in the car went, "WOW!!" This man, we all had to admit, gave new meaning to the

word 'meaningful look.' Even with the elbows completely gone from his sleeves and a cow busily trying to nuzzle

 his armpit, this man was the master of his world...nay, not just its master, its commander! He was unique among men...well... maybe not so unique among THESE particular men, come to think of it.

Rusty continued, "I had brought these culled cows overland across India and Turkey that I might put them on this

train to London. My intention was that they be used as extras in the Globe theatre's new production of Rawhide

2002. Upon reaching Istanbul, I stopped to rest at a saloon called The Golden Horn. Seated at a table were this

man and woman," and he inclined his head toward Sid and eviljulia 6.7 in that head down but eyes looking up sorta

way he sometimes does. Sigh.

"On the table in front of them rested the complete statue. Pulling out a chair, I sat across from them, accompanied

by several of my dearest cows. Leaning both elbows on the table (which is how I keep wearing the material off), I proceeded to study the two of them with one of my utterly unmatchable meaningful looks. Soon it became too much

for the....lady...and she shrieked loudly and long through her wide, full mouth, grabbed the statue and smashed it to

the saloon floor, screaming over and over that she could not live in a world where she had one of these golden

statues. She clicked her heels together 3 times, twirled about, for some unknown reason grinned widely (it may have

been her attempt at a meaningful look) and fell down quite dead. The statue split in two pieces, the lower half ending

in a location where one of my cows had been standing a bit too long after eating sour clover."

He looked at me, smiled, and said, "Hence, the odor you noticed, 'I'."

I must admit I was so relieved! Not as relieved as that cow had obviously been, but relieved nonetheless.

"Sid gathered up her lifeless form, intending to row it across the Bosporus to his secret laboratory. He was

distracted, however, by a large sheet of plate glass being carried through town, and the....lady...drifted aimlessly

in the rowboat across the water until bumping into your rowboat, 'I'."

"So THAT'S why she was alone in the boat!" I exclaimed. It was all starting to make sense. "But I thought YOU

had killed her with the golden statue....so I hid her body in my briefcase and brought it aboard this train."

"Yes," Rusty continued, "but you were very mistaken. Sid followed you aboard, intending to complete her transformation into his mate. He stole your briefcase, opened it, and lay her body on the berth in compartment 5.

Leaving the door ajar while he went in search of the glass he needed, one by one you," and he indicated all the men

left gathered in the room, "happened by and recognized her. Even those now back in their box recognized her. One

by one they decided to rid the world from over acting and, not knowing she was already dead, struck what each

thought was a mortal blow. But she was riding in the fields of Elysium and was already dead." Rusty smiled at

Gladiator, "To borrow a phrase. By the way, that bit about picturing what you will be doing in three weeks doesn't

seem to work all that well, does it?"

Rusty looked back at Sid. "And you....you had discovered that young Andy here had a sack full of glassware, hadn't

you? You brainwashed the dishwasher to do your evil bidding, didn't you? You might have gotten away with your plot

if the train had not lurched just as you were carrying her body down the hall to the laboratory you had constructed in

the lavatory and she crashed into the compartment where 'I' was studying the beautiful profile of the dusty, sleeping Cort."

Rusty turned to look at Cort. "He DOES have a nice profile, doesn't he!!" Terry, Colin, all the guys nodded in agreement. "And you had Andy all primed and ready to feed broken glass into her wounds, causing them to heal

over immediately."

Sid just sneered. "Then, when you had your chance, you stole the body, taking it to your lavatory laboratory where

you used the porcelain from the...er...pot...to finish your transformation and bring her back to life."

Eviljulia 6.7 shouted," $#@%$#@!"

"See," said Rusty, "potty mouth!"

Sid narrowed his eyes and blue goo bubbled out of his ears. He ran toward the far door, dragging julia6.7 along as

her shoulder and his hand had fused together. Just then, the train gave the biggest lurch of all the lurches it had so

far lurched and we all felt ourselves falling and falling and falling. We had been passing over a high trestle when

some force had torn the dining car in half. Unbeknownst to us at the time, it was the mast of Aubrey's ship, having wandered slightly off course on its way to Mexico. As I fell into Jack's strong arms and looked back up the strangely undamaged mast, I thought, "Ummmmm! Jack must have the best equipment of all!"

Giant Rug Pulling: Jo

"Jack," I said, "I think I have been at sea long enough this season. I feel....sorta....."

"Ooooo, 'I', you Do look rather green about the ole gills! Wait just a sec, Luv! I'm not Master AND Commander of

this world for nothin'!" and so saying, he climbed quickly up to the Crowe's Nest. In spite of my seasickness, I will

admit to a certain pleasure in watching him from below as he ascended.

"Hey, YOU!" Jack bellowed from his CrowesPerch. Instantly and quite obligingly the same giant eyeballs that had appeared at the Paris train station were to be seen once again. Jack then whispered some requests which the rest of

us could not hear, and before we knew what was happening a large box opened in the sky and the once-plucked characters, and even the missing Johnny, plopped onto the deck in a big heap like freshly netted tuna, flopping this

way and that. Next a giant hand scooped through the water, gathering all the still- floating folk (and beasts), and depositing them in the heap.

"THANKS!" Jack shouted upwards. Then he hollered down to all of us on the deck, "HOLD ON!"

Immediately there was an enormous sideways jerking, as though the San Andreas had slipped and California were

now an archipelago. (Note: before Orient, there had been a couple of weeks of really short paragraphing in an archipelago, wherein was the holodeck mentioned above in yon storyline.)

In some wonder, as I held tightly to the ship's wheel, I watched Hando bouncing head-first across the deck like

some wayward, graffiti-coated cannonball. He never was one to follow somebody else's orders. A giant wave

washed completely over Cort and...yet...he remained covered in dust. What IS it with that guy and dust, I mused. Someday I would have to get to the bottom of that....dust. Terry's equipment had become somewhat entangled in

the rigging, but I could see he had plenty of female assistance in the attempt to free it. A giant squid had washed onto

the deck and was trying to make a nest in Colin's sideburns. That explained his wild rollings and twistings across

the deck, at least to some degree. Biebe had jammed his hockey stick through the grating atop one of the holds and several females had joined him there in an attempt to stabilize themselves. I doubted that they would feel stable lying

next to him like that for very long. Already I noted 2 or 3 of them were starting to vibrate in a most unstable manner. Rusty was on the poop deck, where the cows had been appropriately assigned, and had his arms and legs around as many of them as possible, trying to keep them from cow-tipping. Bud was in the "tuna pile" smacking several of the other male characters because they had plopped onto the women.  I craned my next  around.  Where was my

Gladiator? He had to be here somewhere! Just then my eyes focused on a sign by the electrical transformer attached

to the main mast (Jack was VERY progressive!). It read in large red letters, "DANGER de MORT!!"

Oh, NO! Did this mean the infamous Mort d'Arthur was aboard? What if Mort had encountered my Gladiator!!! I crawled across the deck like a fiddler crab who'd spent too long soaking in a pot of rum. The giant, sideways jerk

was still continuing, making walking nigh impossible. Reaching the railing, and after only 7 or 8 barf episodes, I managed to look over the side. The sea was GONE! Where did it go! What WAS that fuzzy thing with intricate

Persian patterns and golden fringe at either end that now our ship reposed somewhat crookedly upon? It, and all

of us with it, was being jerked rapidly sideways through the sky as though by giant invisible hands. I could see the Channel in the distance with the white chalk of the Seven Sisters bright in spite of some fog. Whatever did Jack's

"YOU" have in mind for us? Where were we being taken?

I looked back up at Jack, still in the Crowe'sNest and, as though reading my mind, shouted down, "Wherever it is,

it won't be the sea, my little seasick CrowePerson. I promise you that!"

I was VERY relieved...and I knew, somehow, that this ship had landing gear on its keel.

Continued as “The Quest For the Holy Quahog”

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