ESSIE'S QUESTION CORNER
PAGE TWENTY-TWO
(Name the movie, Russell's character, and the character to whom he is speaking...
answers at bottom below picture)
#526
Q - "Right. So what do we do with that? Is there a
reading of the will or do we just download that sort of thing? What
happens these days?"
#527
Q - "I can still play."
#528
Q - "Well, would you look at all this? You'all spared
no expense this time. I gotta say though, it's probably cheaper just to
let me rob the damn thing."
#529
Q - "Lefferts looked beat up Christmas Eve but she
didn't act it. How come?"
#530
Q - "You manipulated me into this!"
#531
Q - "I've asked her to marry me. It's none of your
fuckin' business what she said."
#532
Q - "Okay then. We'll talk. We'll talk!"
#533
Q - "This is not gonna win you any points with a
judge."
#534
Q - "My investigation indicates that Frank Lucas is
above the Mafia."
#535
Q - "We are tired and we can't see the end. We can't
even console ourselves that our enemy is just as tired as we are.
Because they're not."
#536
Q - "Thanks for the warning. Hello, dogs."
#537
Q - "Easy. Easy. Look at you now."
#538
Q - "We both know what this is all about, right? I
get to put a little distance between my kids and the street and I get to
say goodbye at the Garden."
#539
Q - "You can buy my freedom and smuggle me out of
Rome?"
#540
Q - "Now you're talking like an Irishman."
#541
Q - "Move over! Move over! Get your feet off the
pedals!"
#542
Q - "So , you're going to live with your aunt. Think
that might be hard?"
#543
Q - "Finding a truly original idea. That's the only
way I'll ever distinguish myself."
#544
Q - "The photographs are inside. So's the negatives.
Here's your keys."
#545
Q - "Yeah. Uh-huh. Is there a question on the
horizon? Are you trying to make me part of your story? Content dirt?"
#546
Q - "Yeah, that boy's got a tear in his marble bag."
#547
Q - "You're absolutely right. You know, I hadn't
actually finished yet."
#548
Q - "Well, it's not what you chaps would call a
party. No alcohol."
#549
Q - "Joe Cool this time. Just watch me."
#550
Q - " 'Cause I don't wanna be a white coolie in my own
country. 'Cause it's not our country anymore."
#526
Q - "Right. So what do we do with that? Is
there a reading of the will or do we just download that sort of
thing? What happens these days?"
A - A GOOD YEAR - Max Skinner to Gemma
#527
Q - "I can still play."
A - MYSTERY, ALASKA - Sheriff John Biebe to
Scott Pitcher
#528
Q - "Well, would you look at all this?
You'all spared no expense this time. I gotta say though, it's
probably cheaper just to let me rob the damn thing."
A - 3:10 TO YUMA - Ben Wade to Byron McElroy
#529
Q - "Lefferts looked beat up Christmas Eve but
she didn't act it. How come?"
A - LA CONFIDENTIAL - Bud White to Pierce
Patchett
#530
Q - "You manipulated me into this!"
A - THE INSIDER - Jeffrey Wigand to Lowell
Bergman
#531
Q - "I've asked her to marry me. It's none of
your fuckin' business what she said."
A - THE CROSSING - Johnny Ryan to Sam
#532
Q - "Okay then. We'll talk. We'll talk!"
A - BREAKING UP - Steve to Monica
#533
Q - "This is not gonna win you any points with
a judge."
A - NO WAY BACK - Zack Grant to Yuji Kobayashi
#534
Q - "My investigation indicates that Frank
Lucas is above the Mafia."
A - AMERICAN GANGSTER - Richie Roberts to the
U. S. Attorney
#535
Q - "We are tired and we can't see the end.
We can't even console ourselves that our enemy is just as tired
as we are. Because they're not."
A - BODY OF LIES - Ed Hoffman to his voice
activated computer
#536
Q - "Thanks for the warning. Hello, dogs."
A - ROBIN HOOD - Robin Longstride to Marion
Loxley
#537
Q - "Easy. Easy. Look at you now."
A - THE SILVER STALLION - The Man (Egan) to
Golden
#538
Q - "We both know what this is all about,
right? I get to put a little distance between my kids and the
street and I get to say goodbye at the Garden."
A - CINDERELLA MAN - Jim Braddock to Joe Gould
#539
Q - "You can buy my freedom and smuggle me out
of Rome?"
A - GLADIATOR - Maximus to Senator Gracchus
#540
Q - "Now you're talking like an Irishman."
A - MASTER AND COMMANDER - Capt. Jack Aubrey
to Dr. Stephen Maturin
#541
Q - "Move over! Move over! Get your feet off
the pedals!"
A - PROOF - Andy to Martin
#542
Q - "So , you're going to live with your
aunt. Think that might be hard?"
A - TENDERNESS - Det. John Cristofuoro to Eric
Poole
#543
Q - "Finding a truly original idea. That's
the only way I'll ever distinguish myself."
A - A BEAUTIFUL MIND - John Nash to Charles
Newman
#544
Q - "The photographs are inside. So's the
negatives. Here's your keys."
A - ROUGH MAGIC - Alex Ross to Myra Shumway
#545
Q - "Yeah. Uh-huh. Is there a question on
the horizon? Are you trying to make me part of your story?
Content dirt?"
A - STATE OF PLAY - Cal McAffrey to Della Frye
#546
Q - "Yeah, that boy's got a tear in his marble
bag."
A - FOR THE MOMENT - Lachlan Curry to Johnny
#547
Q - "You're absolutely right. You know, I
hadn't actually finished yet."
A - VIRTUOSITY - Sid 6.7 to Parker Barnes
#548
Q - "Well, it's not what you chaps would call
a party. No alcohol."
A - LOVE IN LIMBO - Arthur Baskin to Barry
McJanet
#549
Q - "Joe Cool this time. Just watch me."
A - THE SUM OF US - Jeff Mitchell to his dad,
Harry
#550
Q - " 'Cause I don't wanna be a white coolie
in my own country. 'Cause it's not our country anymore."
A - ROMPER STOMPER - Hando to Gabe
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